MXR

Whether on his groundbreaking work with Ozzy Osbourne or with his own Black Label Society, Zakk Wylde’s guitar playing is loud, tough, and relentless. Zakk’s take-no-prisoners attitude extends to his quest for tone, too. When he wanted to develop his signature overdrive pedal, he looked no further t ...read more

It’s been said that money is the great equaliser. Not anymore. Meet the newest member of the MXR family, the M-108 10-Band Graphic EQ. The M-108 gives players huge amounts of tone shaping and level control in a bulletproof enclosure. With its hardwire bypass, illuminated sliders, input and output le ...read more

The six bands in this graphic equaliser (100Hz to 3.2kHz) cover the frequencies primarily inhibited by guitars and basses. Each slider delivers a powerful 18dB of variable cut or boost. The M109 is very quiet in operation, and the positive feel of the sliders means that your chosen frequency curve w ...read more

The MXR Auto Q from Jim Dunlop triggers at any playing level, not just on your loudest notes. The Auto Q’s effects are amplitude independent, so you get exactly the same effects at high volume or low. Come out front with your solo then drop back for a rhythm fill – your tone mods stay constant throu ...read more

This unassuming little box shovels out enough low frequencies to scare a blue whale. It takes your guitar signal, fuzzes it up, then duplicates it two octaves down. You control the output and the mix between the dry signal and the effect. Using it 100% wet is quite an experience, but more recognizab ...read more

The Dime® Distortion from MXR. With its 3-band EQ, proprietary Scoop switch, and ungodly output, this stomp box from Hell has the guts and the muscle to stand up to your heaviest displays of power. Crank the gain, boost the lows and highs, and hit the Scoop switch for a rhythm tone that will annihil ...read more

In the middle ranges of the Output and Distortion controls, you'll find soft-clipped distortion tones that sound truly retro-authentic, especially when they're mixed with a splash of reverb. Pushing Distortion up higher produces classic fuzz tones that are finding their way onto an increasing number ...read more

There was a time when the MXR Distortion+ was the only distortion box that mattered. It was seen on stages worldwide and heard on hundreds of timeless recordings. Building on that proud history, MXR introduces an instant classic, the M-151 Double-Shot Distortion. With two distinct channels, huge out ...read more

The Dyna Comp is a compressor that lets you set a maximum output level and the sensitivity at which it kicks in. This device can produce that percussive, clicky sound on a clean guitar that you've heard on so many pop hits. It can also even out the volume of sustained tones for mellow lead work, ...read more

Back by popular demand, the MXR flanger creates a variety of wild sounds from dynamic jet plane or cool space effects to short delay, chorus and vibrato. Back off Width to zero to disengage auto-sweep, then use the Manual knob to physically place the effect anywhere along the frequency spectrum; Use ...read more

If MXR’s M-108 10-Band EQ isn’t heavy enough for you, check out its evil twin, the Kerry King 10-Band. Designed in conjunction with the legendary Slayer guitarist, this beastly, tattoo-covered pedal sports the same great features and hardcore construction as the M-108, but the King can punish two am ...read more

This device adds a preset amount of gain, using a single control. With a guitar, this lets you boost your signal for lead work, adjust between two different guitars with unmatched output (i.e. humbucker to single coils), or it can supply a permanent boost in a long effects chain where signal dropoff ...read more

This big brother of the Phase 90 offers a broader range of sounds in a larger unit. Along with the speed control there is a four-position rotary switch that selects four different intensities, defined as preset waveform patterns. Between the intensity and speed settings, you'll find quite a supply o ...read more

This device has found its way on to many of Eddie Van Halen's recordings, adding a shimmering velocity to lead passages or a dramatic swoosh to muted strumming. Not just for guitars; it works well with bass, keyboards and even vocals. Vary the speed from a subtle, long cycle to a fast, watery warble ...read more

Use a high-gain amp and/or lots of stomp boxes? Want to hear the notes but not the noise? Then get yourself an MXR SMART GATE. Equipped with three selectable types of noise reduction – Hiss, Mid and Full – the MXR Smart Gate bites down on sizzle and hum but lets the smallest detail of your playing t ...read more